義大利都靈影展策展人Matteo Boscarol,評價為2015年亞洲最佳紀錄片之一

Formally engaging and elliptical, I don’t really know how much of my fascination for this movie comes from its themes, a group of Taiwanese avant-garde artists active in the 30′ during the Japanese colonial period, and how much from the documentary itself.

形式語言攝人耳目而又簡潔明昧,我不確定我對於這部影片的著迷,有多少是來自它的主題(1930年代日治時期的台灣超現實主義藝術家),或者根本其實是來自於這部紀錄片本身!